Why should we study film? What do you focus on most when watching a film?
Now let's consider again? If a film was watched out of context however you define itdo you think its meaning would be lost? So, first, select a movie you are familiar with and identify its context. Now imagine you are a character in a horror movie.
Again, what sounds do you hear? And what sounds do you not hear, but the audience does? Similar to Q 1, discuss how sound manipulates audience reactions in horror films. Name some other characteristics one finds in all horror movies.
Imagine you are a character in a comedy. And also a romance.
And yet again in a comedy-romance. What sounds do you hear? What sounds do you not hear, but the audience does? From these, discuss how sound manipulates audience reaction in comedic, romantic, and comedy-romantic films. How has this class changed the way you will watch films?
Describe your new approach to movie appreciation. If you created a film from the year you were born or a year of your choice, what tools would you use to place it in the proper context?
Refer to the Film in Context chart in the text for guidance. Select a movie you are familiar with from the chart and identify the context. What about the acting in animated or half-animated movies?
Would you say that some of these movies are harder for and on actors — such as Avatar, in which the actors wore suits with electronic gizmos that recorded their movements for the computers to recreate with the Avatar people?
One way of judging films as well as literature, poetry, other forms of drama, etc. It is of an era, after all, and will reflect the era's social morays, c. Name some characteristics one will find in all documentary films. How do they contribute to the documentary? Can documentaries and their components be measured the same as other film genres, such as Westerns or comedies?
HUM Week 3 Summary. From these, discuss how sound manipulates audience reaction in comedic films. Name some other characteristics one finds in all comedies.
How do they contribute to comedy? Imagine you are a character in a teenage slasher horror movie. From these, discuss how sound manipulates audience reactions in horror films. DQ 3 covers settings. DQ 1 covers mechanics and DQ 2 covers characters and plotting. So it's only natural that to tell your story, you need to provide the fundamental elements of setting including but not limited to location, time, era, weather, and buildings.
Sometimes setting is essential to. Coordinating your responses here with DQ 1, consider the story you wish to tell. Stories require conflict, or at least a lot of tension, in order to generate interest.
So, first, what's the conflict in your story and how are you plotting it out? Also, movies, like plays and TV but unlike books. How would you film your story into a minute segment your friends would sit through?
So first, consider the mechanics.snaptutorial is a online tutorial store we provides HUM Week 3 DQ 4.
View Homework Help - Hum from HUM at University of Phoenix. HUM Week 4 Kelly Washel Film Poster A case of the most celebrated Chinese motion picture characters incorporate Fan Bingbin,%(5).
HUM Week 4 DQ 2 (UOP) This Tutorial was purchased 5 times & rated A+ by student like you. One way of judging films (as well as literature, poetry, other forms of drama, etc.) is through time – specifically, by responding to the four following questions: 1. Read this essay on Hum Week 1 Dq 4.
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HUM Week 4 DQ 5. Share Start at page: Copy 9AAAF8D6 Published on December 23, For more course tutorials visit leslutinsduphoenix.com How has this class changed the way you will watch films?
HUM Week 4 Learning Team Assignment Film Matrix Romance Published on Dec 23, HUM Week 4 DQ 4 Published on Dec 23, HUM Week. Week 1 Dq 1: Due Day 2 Week 1 DQ 1: Due Day 2- Tuesday, January 15th Please post a word response to the following DQ by Day 2.