Also unlike most book reviewers, I can choose to write about only the books I do enjoy.
Copyright by James Pritchett. Originally we had in mind what you might call an imaginary beauty, a process of basic emptiness with just a few things arising in it.
And then when we actually set to work, a kind of avalanche came about which corresponded not at all with that beauty which had seemed to appear to us as an objective. Where do we go then?
Well what we do is go straight on; that way lies, no doubt, a revelation. I had no idea this was going to happen. I did have an idea something else would happen. Ideas are one thing and what happens another. And what are we doing? It was an unusual idea for a museum show, since the whole purpose for visiting one is to witness things of beauty or interest.
People do not go to a museum to look at blank walls, to walk through empty galleries. Without any context, visitors would have been quite baffled by this, perhaps thinking that they had taken a wrong turn, that someone made a mistake, or for those who like adventure that a daring theft had taken place.
But these visitors would have known that this is an exhibition about John Cage, and hence the empty room would make sense. It is not surprising that this piece would attract the kind of attention that it has.
To begin with, it is a compelling dramatic gesture. At its first performance, virtuoso pianist David Tudor sat at the piano, opened the keyboard lid, and sat silently for thirty seconds.
He then closed the lid. He reopened it, and then sat silently again for a full two minutes and twenty-three seconds. He then closed and reopened the lid one more time, sitting silently this time for one minute and forty seconds.
He then closed the lid and walked off stage. With the right kind of performer, such an event can be riveting, and Tudor was absolutely the right kind of performer, possessing an understated mastery of the instrument and a seriousness of purpose that was palpable to everyone in attendance.
Part of what makes the drama so compelling is the utter simplicity of the concept. The composer creates nothing at all. The performer goes on stage and does nothing.
The audience witnesses this very basic act, the act of sitting still and being quiet. All this takes place in a Western concert hall setting, lending a historical and artistic gravity to the proceedings that begs us to put this act into some kind of weighty context, fraught with importance. The piece can be difficult for audiences just as the empty room in the exhibition might have been.
Sitting quietly for any length of time is not something to which people are accustomed in Western culture in general, much less in a concert hall setting. That tensions will arise, with controversy and notoriety following, is only natural.
Confronted with the silence, in a setting we cannot control, and where we do not expect this kind of event, we might have any of a number of responses:Radio in the 's Essay Words | 5 Pages. changed society during the ’s? According to the research done by the Education Foundation, many people believe that the most important development in the radio at that time was entertainment; this is entirely false.
All through and into I kept a list of the books I hoped to write about for Bubba’s Book Club. (The key word was “hoped.”) Unlike most book reviewers, I have the luxury of choosing to read only books that I expect to enjoy — whether on the strength of a good review, a friend’s recommendation, or a taste for the author’s previous work.
Get access to Music Of The S And S Essays only from Anti Essays. Listed Results 1 - Get studying today and get the grades you want. Only at. We will write a custom essay sample on Music Of The s And s Essay specifically for you for only $ $/page.
Order now One evening in , following Lindbergh”s flight to Paris, a local dance enthusiast named “Shorty George” Snowden was watching some of the dancing couples. In an essay form, write about a classical concert you attended and include where the concert was performed, who performed it, what composers and peieces were featured and other sailent thoughts.
. Mar 08, · From SZA and Charli XCX to Gucci Mane and Jake Paul, 25 writers — John Jeremiah Sullivan, Angela Flournoy, Hanif Abdurraqib and more — tell us what’s happening to pop.